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التعليقات (9)
The term " metaphysical poetry " is used to describe a certain type of 17th century poetry. The term was originally intended to be derogatory; Dryden, who said Donne "affects the metaphysics," was criticizing Donne for being too arcane. Samuel Johnson later used the term "metaphysical poetry" to describe the specific poetic method used by poets like Donne.
Metaphysical poets are generally in rebellion against the highly conventional imagery of the Elizabethan lyric. The poems tend to be intellectually complex, and (according to the Holman Handbook ), "express honestly, if unconventionally, the poet's sense of the complexities and contradictions of life." The verse often sounds rough in comparison to the smooth conventions of other poets; Ben Jonson once said that John Donne "deserved hanging" for the way he ran roughshod over conventional rhythms. The result is that these poems often lack lyric smoothness, but they instead use a rugged irregular movement that seems to suit the content of the poems.
For an example of metaphysical rebellion against lyrical convention, one can look at Donne's Holy Sonnet 14. The sonnet is a highly conventional art form, and one would expect a smooth iambic pentameter line. But notice all the stressed syllables in the first lines of this poem, and how hard it is to read them in the conventional iambic pentameter pattern:
Batter my heart, three-personed God, for You
As yet but knock, breathe, shine, and seek to mend;
That I may rise, and stand, oe'erthrow me, and bend
Your force, to break, blow, burn, and make me new.
In addition to challenging the conventions of rhythm, the metaphysical poets also challenged conventional imagery. Their tool for doing this was the metaphysical conceit . If you remember, a conceit is a poetic idea, usually a metaphor. There can be conventional ideas, where there are expected metaphors: Petrarchan conceits imitate the metaphors used by the Italian poet Petrarch. Metaphysical conceits are noteworthy specifically for their lack of conventionality. In general, the metaphysical conceit will use some sort of shocking or unusual comparison as the basis for the metaphor. When it works, a metaphysical conceit has a startling appropriateness that makes us look at something in an entirely new way. The classic metaphysical conceit is Donne's comparison of the union between two lovers to the two legs of a compass in "A Valediction Forbidding Mourning." هذا اللي عندي ان شاء الله يفيدك
Metaphysical poets are generally in rebellion against the highly conventional imagery of the Elizabethan lyric. The poems tend to be intellectually complex, and (according to the Holman Handbook ), "express honestly, if unconventionally, the poet's sense of the complexities and contradictions of life." The verse often sounds rough in comparison to the smooth conventions of other poets; Ben Jonson once said that John Donne "deserved hanging" for the way he ran roughshod over conventional rhythms. The result is that these poems often lack lyric smoothness, but they instead use a rugged irregular movement that seems to suit the content of the poems.
For an example of metaphysical rebellion against lyrical convention, one can look at Donne's Holy Sonnet 14. The sonnet is a highly conventional art form, and one would expect a smooth iambic pentameter line. But notice all the stressed syllables in the first lines of this poem, and how hard it is to read them in the conventional iambic pentameter pattern:
Batter my heart, three-personed God, for You
As yet but knock, breathe, shine, and seek to mend;
That I may rise, and stand, oe'erthrow me, and bend
Your force, to break, blow, burn, and make me new.
In addition to challenging the conventions of rhythm, the metaphysical poets also challenged conventional imagery. Their tool for doing this was the metaphysical conceit . If you remember, a conceit is a poetic idea, usually a metaphor. There can be conventional ideas, where there are expected metaphors: Petrarchan conceits imitate the metaphors used by the Italian poet Petrarch. Metaphysical conceits are noteworthy specifically for their lack of conventionality. In general, the metaphysical conceit will use some sort of shocking or unusual comparison as the basis for the metaphor. When it works, a metaphysical conceit has a startling appropriateness that makes us look at something in an entirely new way. The classic metaphysical conceit is Donne's comparison of the union between two lovers to the two legs of a compass in "A Valediction Forbidding Mourning." هذا اللي عندي ان شاء الله يفيدك
جزاك الله الف خير عنى وعن المسلمين. إن شاء الله اتاكد من الحروف وارد منك لأني كتبتها من عندي حسب نطق الدكتور والورق مو عندي تبع المحاضره.
توتو الجميلة
انا كمان عندي characteristics اضيقها لك ان شاءالله بعد ما تتاكدين وبالتوفيق يارب
انا كمان عندي characteristics اضيقها لك ان شاءالله بعد ما تتاكدين وبالتوفيق يارب
metaphysical أتوقع هذي كتابتها الصحيحة..ومعناته علم ماوراء الطبيعة....OMaraMOالله يعافيك اضيفي اللي عندك لأني انا بعد محتاجتها....
It was a time of challenge - disquiet
It was called the age of anxiety
There are many kinds of poetry
A- Metaphysical: John Donne = It was against Lyrical poets.
B-Cavalier poetry: Jonson and his sons
C-Chirographical: Milton
The most famous poem in that time was (Paradise Lost by Milton)
* All areas of life were reflected in Metaphysical Era {Religion, Science, politics, domestic relations and culture}
The Metaphysical poetry*
This term is used to describe a cretin type of the 17 th century to describe the specific poetic method used by poets like Donne
The Characteristics of metaphysical*
It is against the conventional imagery of the Elizabethan lyric
* The poems are complex and express the poet's sense of the complexities and contradictions of life.
The verse often sounds rough or it is roughshod verse*
* The poems often lack lyric smoothness; they use a rugged irregular movement to suit the content of the poems.
* They used shocking or unusual comparison to make us look at something in an entirely new way
اتمنى ان تفيدكم ان شاءالله ولو لقيت شئ ثاني راح احطه وبالتوفيق يارب
.
.
It was called the age of anxiety
There are many kinds of poetry
A- Metaphysical: John Donne = It was against Lyrical poets.
B-Cavalier poetry: Jonson and his sons
C-Chirographical: Milton
The most famous poem in that time was (Paradise Lost by Milton)
* All areas of life were reflected in Metaphysical Era {Religion, Science, politics, domestic relations and culture}
The Metaphysical poetry*
This term is used to describe a cretin type of the 17 th century to describe the specific poetic method used by poets like Donne
The Characteristics of metaphysical*
It is against the conventional imagery of the Elizabethan lyric
* The poems are complex and express the poet's sense of the complexities and contradictions of life.
The verse often sounds rough or it is roughshod verse*
* The poems often lack lyric smoothness; they use a rugged irregular movement to suit the content of the poems.
* They used shocking or unusual comparison to make us look at something in an entirely new way
اتمنى ان تفيدكم ان شاءالله ولو لقيت شئ ثاني راح احطه وبالتوفيق يارب
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