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الـــدانه
21-04-2022 - 05:01 am
السلام عليكم ورحمة الله وبركاته
كيفكم ان شاء الله تماام
ابي منكم مساعده بلييز
انا اخذ هالسمستر في ماده الدراما مسرحية Oedipus the King
اللي مر عليها واخذت هذي المسرحيه بليز ابغى التحليل والتفاصيل تبع المسرحيه وربي محتاجه لها مثل irony , tragic hero, conflict
لا تبخلون علي اذا تعرفون اي شيء عنها..
انتظركم
كيفكم ان شاء الله تماام
ابي منكم مساعده بلييز
انا اخذ هالسمستر في ماده الدراما مسرحية Oedipus the King
اللي مر عليها واخذت هذي المسرحيه بليز ابغى التحليل والتفاصيل تبع المسرحيه وربي محتاجه لها مثل irony , tragic hero, conflict
لا تبخلون علي اذا تعرفون اي شيء عنها..
انتظركم
التعليقات (9)
اكيد اني سويت بحث في قوقل بس للاسف ما استفدت منه في اي شيء ...
ومشكوره اختي ETeacher
ومشكوره اختي ETeacher
عموما لو مالقيتي اي شي ممكن اعملك تلخيص لها واحللها تحليل كامل
لو حابة راسليني لاني مو دايما اشوف الردود
لو حابة راسليني لاني مو دايما اشوف الردود
الله يعطيك العافيه اختي نزاعة و يوفقك ,,
بس للاسف يمكن في خطأ في الرابط لانه ما فتح معي,,
بس للاسف يمكن في خطأ في الرابط لانه ما فتح معي,,
Oedipus the King – Analyzing Dramatic Irony
1. Oedipus
I know you are all sick,
yet there is not one of you, sick as you are,
that is as sick as I myself.
Your several sorrows each have single scope
and touch but one of you. My spirit groans
for city and myself and you at once. (lines – 68-73)
All of you are ill,
even as ill as you are, there is not one of you,
ill like me.
your grieves only have one focus
and touch yourself. I cry
for not only the city, but myself all at once.
Dramatic Irony:
Oedipus makes this speech to comfort the grieving people of Thebes; for there is a plague that is causing death and destruction, and it will only end when the murderer of Laius, the former King of Thebes is banished. Dramatic Irony is invoked when the people of Thebes come to Oedipus, asking him to rid the city of the plague, when in reality, he is the one causing it.
2. Oedipus
Upon the murderer I invoke this curse--
whether he is one man and all unknown,
or one of many--may he wear out his life
in misery to miserable doom!(lines 266-271)
I put this curse on the murderer—
no matter if he is one man and anonymous,
or one of a lot of people--I hope he spends the rest of his life
in pain forever!
Dramatic Irony:
Oedipus intends to curse the murderer of Laius out of a deep anger in not being able to find him. By doing this, he is actually cursing himself.
3. Oedipus
Your life is one long night so that you cannot
hurt me or any other who sees the light. (lines 422-423)
You are blind, so you can’t
hurt me, or anyone who has vision.
Dramatic Irony:
Oedipus intents do insult Tiresias’s blindness, through these statements. Dramatic irony takes place, because he is the one who lacks vision, and he himself will soon be blind.
4. Jocasta
Once long ago there came to Laius
from-let’s not suppose Apollo personally
but from his ministers: an oracle,
which said that fate would make him meet his end
through a son, a son of his and mine.
Well, there was a murder, yes; but done
by foreign highwaymen-they say-where
three highways meet. And secondly, the son,
he at three days old is left by Laius
upon a trackless hillside,
his ankles linked together.
A long time a go, there came to Laius,
not from Apollo himself
but from his disciples: an oracle,
which said fate would make him meet his doom
by our son.
He was murdered, but by
foreign highwaymen where
three highways meet. And secondly, the son,
was left by Laius at three days old
on a hillside,
his ankles linked together.
Dramatic Irony:
Jocasta tells Oedipus this story, in hopes that her husband/son stops believing in seers, for their prophecies are false. However, after hearing this tale from Jocasta, it only entices Oedipus, to continue his pursuit in finding Laius’s murderer even more.
5. Jocasta
A man from Corinth, come to let you know
your father is no more. Old Polybus is
dead.
A messenger has arrived to tell you
your father Polybus is
dead.
Dramatic Irony:
Jocasta informs Oedipus of his father’s death, from natural causes, to remove his conviction in the prophecy that he will murder his own father, and marry his mother. Dramatic irony is invoked, because this new information by Jocasta actually makes the prophecy come to light.
1. Oedipus
I know you are all sick,
yet there is not one of you, sick as you are,
that is as sick as I myself.
Your several sorrows each have single scope
and touch but one of you. My spirit groans
for city and myself and you at once. (lines – 68-73)
All of you are ill,
even as ill as you are, there is not one of you,
ill like me.
your grieves only have one focus
and touch yourself. I cry
for not only the city, but myself all at once.
Dramatic Irony:
Oedipus makes this speech to comfort the grieving people of Thebes; for there is a plague that is causing death and destruction, and it will only end when the murderer of Laius, the former King of Thebes is banished. Dramatic Irony is invoked when the people of Thebes come to Oedipus, asking him to rid the city of the plague, when in reality, he is the one causing it.
2. Oedipus
Upon the murderer I invoke this curse--
whether he is one man and all unknown,
or one of many--may he wear out his life
in misery to miserable doom!(lines 266-271)
I put this curse on the murderer—
no matter if he is one man and anonymous,
or one of a lot of people--I hope he spends the rest of his life
in pain forever!
Dramatic Irony:
Oedipus intends to curse the murderer of Laius out of a deep anger in not being able to find him. By doing this, he is actually cursing himself.
3. Oedipus
Your life is one long night so that you cannot
hurt me or any other who sees the light. (lines 422-423)
You are blind, so you can’t
hurt me, or anyone who has vision.
Dramatic Irony:
Oedipus intents do insult Tiresias’s blindness, through these statements. Dramatic irony takes place, because he is the one who lacks vision, and he himself will soon be blind.
4. Jocasta
Once long ago there came to Laius
from-let’s not suppose Apollo personally
but from his ministers: an oracle,
which said that fate would make him meet his end
through a son, a son of his and mine.
Well, there was a murder, yes; but done
by foreign highwaymen-they say-where
three highways meet. And secondly, the son,
he at three days old is left by Laius
upon a trackless hillside,
his ankles linked together.
A long time a go, there came to Laius,
not from Apollo himself
but from his disciples: an oracle,
which said fate would make him meet his doom
by our son.
He was murdered, but by
foreign highwaymen where
three highways meet. And secondly, the son,
was left by Laius at three days old
on a hillside,
his ankles linked together.
Dramatic Irony:
Jocasta tells Oedipus this story, in hopes that her husband/son stops believing in seers, for their prophecies are false. However, after hearing this tale from Jocasta, it only entices Oedipus, to continue his pursuit in finding Laius’s murderer even more.
5. Jocasta
A man from Corinth, come to let you know
your father is no more. Old Polybus is
dead.
A messenger has arrived to tell you
your father Polybus is
dead.
Dramatic Irony:
Jocasta informs Oedipus of his father’s death, from natural causes, to remove his conviction in the prophecy that he will murder his own father, and marry his mother. Dramatic irony is invoked, because this new information by Jocasta actually makes the prophecy come to light.
Oedipus the king -Tragic Hero
In the play Oedipus the King by Sophocles, Oedipus is a classic tragic hero. There are a number of characteristics that identify a tragic hero. Although a tragic hero causes his own downfall, his fate is usually not deserved, and his punishment is much worse than his crime. A tragic hero is usually someone of importance or power who has a tragic flaw that affects his judgement, and must then suffer the consequences. At the same time, the tragic hero arouses sympathy in the audience because their punishment is so great and could happen to anyone. All of the above characteristics make Oedipus a tragic hero and one can see how these attributes cause his fall from a mighty king to a blind outcast. In Oedipus the King, Oedipus has been a king for years after solving the riddle of the Sphinx and ridding the land of a horrible blight. From the very beginning, we see his tragic flaw, hubris, although it takes different forms. The play begins with a plea by a priest to save Thebes a second time from a plague that has cursed the land. With this, he announces that he has already sent Creon to the Oracle to ask what to do and proclaims that I shall be a traitor if I do not do what the god reveals
In the play Oedipus the King by Sophocles, Oedipus is a classic tragic hero. There are a number of characteristics that identify a tragic hero. Although a tragic hero causes his own downfall, his fate is usually not deserved, and his punishment is much worse than his crime. A tragic hero is usually someone of importance or power who has a tragic flaw that affects his judgement, and must then suffer the consequences. At the same time, the tragic hero arouses sympathy in the audience because their punishment is so great and could happen to anyone. All of the above characteristics make Oedipus a tragic hero and one can see how these attributes cause his fall from a mighty king to a blind outcast. In Oedipus the King, Oedipus has been a king for years after solving the riddle of the Sphinx and ridding the land of a horrible blight. From the very beginning, we see his tragic flaw, hubris, although it takes different forms. The play begins with a plea by a priest to save Thebes a second time from a plague that has cursed the land. With this, he announces that he has already sent Creon to the Oracle to ask what to do and proclaims that I shall be a traitor if I do not do what the god reveals
هاذيل اهم الشخصيات اختي ...
a. Oedipus Rex: The king of Thebes. A man ruled by a fate, according to which he is to murder his father and marry his own mother. Oedipus is unaware of the fact that he has already committed these dreadful acts. He is highly intelligent, short of temper, and impetuous.
b. Iokaste: The queen of Thebes. She is Oedipus' wife as well as his mother but is as ignorant about the latter fact as is Oedipus. She is a good and loving queen who does not hesitate to speak her mind.
c. Creon: Iokaste’s brother. He is a responsible and loyal Theban citizen. Judicious, rational, and consistent in nature, he acts as a foil to the more impulsive Oedipus.
a. Oedipus Rex: The king of Thebes. A man ruled by a fate, according to which he is to murder his father and marry his own mother. Oedipus is unaware of the fact that he has already committed these dreadful acts. He is highly intelligent, short of temper, and impetuous.
b. Iokaste: The queen of Thebes. She is Oedipus' wife as well as his mother but is as ignorant about the latter fact as is Oedipus. She is a good and loving queen who does not hesitate to speak her mind.
c. Creon: Iokaste’s brother. He is a responsible and loyal Theban citizen. Judicious, rational, and consistent in nature, he acts as a foil to the more impulsive Oedipus.
هذا تلخيص القصه :
The entire action of the play is set in the city of Thebes, which is in the grip of a deadly plague at the start of the play. The reason for the plague is that Laius' murderer has not been punished. Laius was the ruler of Thebes before the present King (Oedipus) and was supposedly killed during a journey by a group of robbers. The gods at Delphi threaten that unless the murderer is caught and tried, Thebes will continue to suffer. This is the background against which the entire drama unfolds. The present king of Thebes, Oedipus, firmly resolves to find the murderer and prosecute him. He prohibits his people from withholding any information about the man in question. He himself curses the murderer.
The old prophet Tiresias is also summoned by Oedipus to be consulted over the matter, but his meeting with Tiresias takes an ugly turn. Tiresias refuses to reveal anything to Oedipus because he is aware of the dreadful fact that it is the ignorant Oedipus himself who has murdered Laius and that Laius was Oedipus' father and that he is married to his own mother. He prefers to keep silent as he does not want to be the cause of Oedipus' ruin. Oedipus, on the other hand, interprets Tiresias' silence as treachery. He labels him a villain and a conspirator along with Creon. Later, the angry Tiresias leaves, warning that Oedipus will cause his own ruin.
A confrontation between Oedipus and Creon erupts. Creon is distraught by Oedipus' impulsive behavior. As the investigations into Laius' murder proceed, the fact that a sole witness is alive comes to light. Oedipus sends for this man, who is an old shepherd. Meanwhile, the plot takes a new turn when a messenger from Corinth brings the news that the Corinthian king Polybus is dead. He asks Oedipus to take up the kingship of Corinth. But, Oedipus expresses his reluctance, as he fears his fate according to which he will marry his own mother. The Corinthian shepherd tries to pacify him by revealing the fact that Oedipus was the adopted son of the Corinthian king and queen. He also states that Oedipus' birthplace is in fact Thebes. This twist is significant because Oedipus now wants to find the truth out about his parentage.
Coincidentally, the sole witness of Laius' murder is also the man who had handed over the infant Oedipus to the Corinthian shepherd. This man holds the key to the mystery of Oedipus' birth. Oedipus persuades him to speak up. Finally this Theban shepherd reveals the horrifying fact that Oedipus was the son of Laius and Iokaste. This crucial moment, when Oedipus realizes the truth about his parentage, is an important feature in any well- made tragedy. This is the anagnorisis or the recognition point. At this stage, the protagonist realizes the truth of a situation, discovers another character's identity or learns an unknown fact about his own self. What follows anagnorisis is peripetia or the reversal, where the opposite of what was planned or expected by the protagonist, occurs. In Oedipus Rex all the noble intentions of the protagonist to investigate Laius' murder lead to his own catastrophic end.
A shattered Iokaste commits suicide by hanging herself and Oedipus, unable to see his wretched existence, blinds himself. Oedipus' curse falls on himself, and he wishes to leave Thebes. In a pathetic condition, he pleads with Creon to banish him from the kingdom.
The play ends with Creon's wise words to Oedipus. He says, "Seek not to have your way in all things, Where you had your way before, Your mastery broke before the end."
The entire action of the play is set in the city of Thebes, which is in the grip of a deadly plague at the start of the play. The reason for the plague is that Laius' murderer has not been punished. Laius was the ruler of Thebes before the present King (Oedipus) and was supposedly killed during a journey by a group of robbers. The gods at Delphi threaten that unless the murderer is caught and tried, Thebes will continue to suffer. This is the background against which the entire drama unfolds. The present king of Thebes, Oedipus, firmly resolves to find the murderer and prosecute him. He prohibits his people from withholding any information about the man in question. He himself curses the murderer.
The old prophet Tiresias is also summoned by Oedipus to be consulted over the matter, but his meeting with Tiresias takes an ugly turn. Tiresias refuses to reveal anything to Oedipus because he is aware of the dreadful fact that it is the ignorant Oedipus himself who has murdered Laius and that Laius was Oedipus' father and that he is married to his own mother. He prefers to keep silent as he does not want to be the cause of Oedipus' ruin. Oedipus, on the other hand, interprets Tiresias' silence as treachery. He labels him a villain and a conspirator along with Creon. Later, the angry Tiresias leaves, warning that Oedipus will cause his own ruin.
A confrontation between Oedipus and Creon erupts. Creon is distraught by Oedipus' impulsive behavior. As the investigations into Laius' murder proceed, the fact that a sole witness is alive comes to light. Oedipus sends for this man, who is an old shepherd. Meanwhile, the plot takes a new turn when a messenger from Corinth brings the news that the Corinthian king Polybus is dead. He asks Oedipus to take up the kingship of Corinth. But, Oedipus expresses his reluctance, as he fears his fate according to which he will marry his own mother. The Corinthian shepherd tries to pacify him by revealing the fact that Oedipus was the adopted son of the Corinthian king and queen. He also states that Oedipus' birthplace is in fact Thebes. This twist is significant because Oedipus now wants to find the truth out about his parentage.
Coincidentally, the sole witness of Laius' murder is also the man who had handed over the infant Oedipus to the Corinthian shepherd. This man holds the key to the mystery of Oedipus' birth. Oedipus persuades him to speak up. Finally this Theban shepherd reveals the horrifying fact that Oedipus was the son of Laius and Iokaste. This crucial moment, when Oedipus realizes the truth about his parentage, is an important feature in any well- made tragedy. This is the anagnorisis or the recognition point. At this stage, the protagonist realizes the truth of a situation, discovers another character's identity or learns an unknown fact about his own self. What follows anagnorisis is peripetia or the reversal, where the opposite of what was planned or expected by the protagonist, occurs. In Oedipus Rex all the noble intentions of the protagonist to investigate Laius' murder lead to his own catastrophic end.
A shattered Iokaste commits suicide by hanging herself and Oedipus, unable to see his wretched existence, blinds himself. Oedipus' curse falls on himself, and he wishes to leave Thebes. In a pathetic condition, he pleads with Creon to banish him from the kingdom.
The play ends with Creon's wise words to Oedipus. He says, "Seek not to have your way in all things, Where you had your way before, Your mastery broke before the end."
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